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She maintains a thriving private practice, reading cards for A-list celebrities and at events for clients such as Instagram, Soho House, Urban Decay, Hulu, and P.

Candle Co. Her background as a touring musician also contributes to her insight and unique perspective.

Her relaxed reading style is down-to-earth, high-vibe, rich in poetic imagery, and laced with humor throughout. Sophia believes we all hold the power of free will to pursue joy and fulfillment, and is looking forward to supporting you on your path.

Home Services Booking Sophia Events. There is a reassuring stillness to her readings that conveys her professionalism, gift, and innate knowledge.

Most importantly, she is able to put herself in your shoes and that is something few of us are truly able to do. She needs little preparation and puts you at ease right away.

And she just nails it. As she looked at each card I had drawn her facial expression conveyed their message. She then walked me through each of the cards and without any hesitation set up the scenario I would be faced with.

I knew that what she was telling me was spot on and it really helped me prepare for my meeting.

Sure enough, everything she told me happened. I am so glad I had that reading with her. I was able to navigate through my situation with the utmost dignity and self-love.

He was freed and restored to his title of Caesar , and in gratitude vowed that he would dedicate a church to the saints once he became emperor.

The construction of this Church of Saints Sergius and Bacchus, between and AD only a short time before the erection of the Hagia Sophia between and , was one of the first acts of the reign of Justinian I.

The new church lay at the border between the First and Third Regio of the City, [6] in an irregular area between the Palace of Hormisdas the house of Justinian before his accession to the throne and the Church of the Saints Peter and Paul.

Back then, the two churches shared the same narthex , atrium and propylaea. The new church became the centre of the complex, and part still survives today, towards the south of the northern wall of one of the two other edifices.

The church was one of the most important religious structures in Constantinople. Shortly after the building of the church a monastery bearing the same name was built near the edifice.

Construction of the new church began shortly before that of Hagia Sophia , built from to It was believed that the building had been designed by the same architects, Isidorus of Miletus and Anthemius of Tralles , as a kind of "dress rehearsal" for that of the largest church of the Byzantine Empire.

However, the building is quite different in architectural detail from the Hagia Sophia and the notion that it was but a small-scale version has largely been discredited.

During the years and , the Palace of Hormisdas became a Monophysite monastery, where followers of that sect, coming from the eastern regions of the Empire and escaping the persecutions against them, found protection by Empress Theodora.

In year Pope Vigilius , who some years before had been summoned to Constantinople by Justinian, found refuge in the church from the soldiers of the Emperor who wanted to capture him, and this attempt caused riots.

After the Ottoman conquest of Constantinople in , the church remained untouched until the reign of Bayezid II. At that time the portico and madrasah were added to the church.

Damage caused by the earthquakes of and was repaired in under the reign of Sultan Mahmud II. In the minaret was first built.

It was demolished in and built again in The pace of decay of the building, which already suffered because of humidity and earthquakes through the centuries, accelerated after the construction of the railway.

Parts of SS. Peter and Paul to the south of the building were demolished to accommodate the rail line.

Other damage was caused by the building's use as housing for the refugees during the Balkan Wars.

Due to the increasing threats to the building's static integrity, it was added some years ago to the UNESCO watch list of endangered monuments.

After an extensive restoration which lasted several years and ended in September , it has been opened again to the public and for worship.

The exterior masonry of the structure adopts the usual technique of that period in Constantinople, which uses bricks sunk in thick beds of mortar.

The walls are reinforced by chains made of small stone blocks. The building, the central plan of which was consciously repeated in the basilica of San Vitale in Ravenna and served as a model for the famous Ottoman architect Mimar Sinan in the construction of the Rüstem Pasha Mosque , has the shape of an octagon inscribed in an irregular quadrilateral.

It is surmounted by a beautiful umbrella dome in sixteen compartments with eight flat sections alternating with eight concave ones, standing on eight polygonal pillars.

The narthex lies on the west side, opposed to an antechoir. In front of the building there is a portico which replaced the atrium and a court both added during the Ottoman period , with a small garden, a fountain for the ablutions and several small shops.

Inside the edifice there is a beautiful two-storey colonnade which runs along the north, west and south sides, and bears an elegant inscription in twelve Greek hexameters dedicated to the Emperor Justinian, his wife, Theodora , and Saint Sergius , the patron-saint of the soldiers of the Roman army.

For some unknown reason, Saint Bacchus is not mentioned. The columns are alternately of verd antique and red Synnadic marble ; the lower storey has 16, while the upper has Many of the column capitals still bear the monograms of Justinian and Theodora.

The Apse of the former Church with the Mihrab. The Minbar is seen in the foreground. Nothing remains of the original interior decoration of the church, which contemporary chroniclers describe as being covered in mosaics with walls of variegated marble.

During the Ottoman conversion into a mosque, the windows and entrance were modified, floor level raised, and interior walls plastered.

From Wikipedia, the free encyclopedia. For other uses, see Hagia Sophia disambiguation. Play media. Sergius and Bacchus in Constantinople".

Journal of Late Antiquity.

Sophia_ss

And the summer tourists come by the thousands to see if the Inside Passage is all that it claims to be. And I wonder if any of them pause to hear the crashing of the waves on the rocks so near.

Alexander, who owned the Engineer Mine, and he had been the Chief Assayer for the mine as well. When the mine needed more capital to dig deeper into the mountain to follow a promising gold vein, Alexander and his wife set off to London to find new investors, promising to bring back the money to keep digging.

The hopes and future of the Engineer Mine — and all who worked there — went down with the ship. At the time there were no books available with details of the wreck.

The version above is the 3rd iteration of the song, again targeting historical accuracy without impacting the strength or intent of the original.

It has always been my desire to be honest to the story, and to tell it in a way that the listener could understand.

I hope that this is still accomplished in the final version. To this day I always say a prayer for the souls of the passengers and crew whenever I go past Vanderbilt Reef by air or sea: may they forever rest in peace.

It was believed that the building had been designed by the same architects, Isidorus of Miletus and Anthemius of Tralles , as a kind of "dress rehearsal" for that of the largest church of the Byzantine Empire.

However, the building is quite different in architectural detail from the Hagia Sophia and the notion that it was but a small-scale version has largely been discredited.

During the years and , the Palace of Hormisdas became a Monophysite monastery, where followers of that sect, coming from the eastern regions of the Empire and escaping the persecutions against them, found protection by Empress Theodora.

In year Pope Vigilius , who some years before had been summoned to Constantinople by Justinian, found refuge in the church from the soldiers of the Emperor who wanted to capture him, and this attempt caused riots.

After the Ottoman conquest of Constantinople in , the church remained untouched until the reign of Bayezid II. At that time the portico and madrasah were added to the church.

Damage caused by the earthquakes of and was repaired in under the reign of Sultan Mahmud II. In the minaret was first built.

It was demolished in and built again in The pace of decay of the building, which already suffered because of humidity and earthquakes through the centuries, accelerated after the construction of the railway.

Parts of SS. Peter and Paul to the south of the building were demolished to accommodate the rail line. Other damage was caused by the building's use as housing for the refugees during the Balkan Wars.

Due to the increasing threats to the building's static integrity, it was added some years ago to the UNESCO watch list of endangered monuments. After an extensive restoration which lasted several years and ended in September , it has been opened again to the public and for worship.

The exterior masonry of the structure adopts the usual technique of that period in Constantinople, which uses bricks sunk in thick beds of mortar.

The walls are reinforced by chains made of small stone blocks. The building, the central plan of which was consciously repeated in the basilica of San Vitale in Ravenna and served as a model for the famous Ottoman architect Mimar Sinan in the construction of the Rüstem Pasha Mosque , has the shape of an octagon inscribed in an irregular quadrilateral.

It is surmounted by a beautiful umbrella dome in sixteen compartments with eight flat sections alternating with eight concave ones, standing on eight polygonal pillars.

The narthex lies on the west side, opposed to an antechoir. In front of the building there is a portico which replaced the atrium and a court both added during the Ottoman period , with a small garden, a fountain for the ablutions and several small shops.

Inside the edifice there is a beautiful two-storey colonnade which runs along the north, west and south sides, and bears an elegant inscription in twelve Greek hexameters dedicated to the Emperor Justinian, his wife, Theodora , and Saint Sergius , the patron-saint of the soldiers of the Roman army.

For some unknown reason, Saint Bacchus is not mentioned. The columns are alternately of verd antique and red Synnadic marble ; the lower storey has 16, while the upper has Many of the column capitals still bear the monograms of Justinian and Theodora.

The Apse of the former Church with the Mihrab. The Minbar is seen in the foreground. Nothing remains of the original interior decoration of the church, which contemporary chroniclers describe as being covered in mosaics with walls of variegated marble.

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